Sincere thanks to everyone who came out on a seriously cold evening in #Saskatoon, to our Screening: Forget Winnetou! Loving in the Wrong Way on 18 January at PAVED Arts. The event was in cooperation with Wanuskewin Heritage Park and Wanuskewin Galleries on their symposium honoring the work of Norval Morrisseau, First Nations artist. Photo by Paved Arts. Advertisements
#Saskatoon in Seven! #Documentary Screening at PAVED Arts For Wanuskewin Heritage Park Event
Shared from their website: Screening: Forget Winnetou! Loving in the Wrong Way A Documentary Film by D.S. Red Haircrow – Presented by Wanuskewin Galleries Friday, January 18, 8pm Upstairs at PAVED Arts 424 20th Street West Saskatoon Free Admission A documentary film project directed by Red Haircrow on Native stereotypes and their connection to racism, colonialism, and […]
2018 “Losing/Choosing” #NewYearsEve Thoughts & Retrospection
2018 has been one of the most physically, psychologically and emotionally exhausting years of my life, in a life that has had many challenges and tragedies few know. There are many more issues I’m dealing with now health and otherwise, myself and my son, plus the normalization and tolerance of racist, homo/transphobia, apathy, lack of […]
Our First #Documentary Screening for 2019: #Saskatoon, Canada for Wanuskewin Heritage Park
My 1st film event in 2019! Pleased to announce “Forget Winnetou! Loving in the Wrong Way” will screen in Saskatoon, Canada, at one of Wanuskewin Heritage Park series of events, in January. My film will be part of the “Power Lines: A Symposium on the Impact of the Woodland School of Art and the Work of Norval […]
Dec.5th in #Berlin: #Indigenous #Women & #Queer/Trans #Filmmakers Series at Xart Splitta – Opportunities for 2019
On Dec.5th, the final screening & discussion this year, in our film series “Identity.Intersectionality.Indigeneity”. More to come in 2019! #Native #FirstNations #Indigenous #Female or #GLBTIIQ Filmmakers visiting/looking to screen in #Berlin? Contact me. We also are able to offer a screening fee to filmmakers, and are particularly interested in those who might appearance in person […]
