Call For Participants: “Finale Scene” for “Forget Winnetou!” #Documentary

Where: Northwest Berlin

When: 30 September 2017

What time: From 15:30 to appr. 17:00


Thank you for your interest in our upcoming documentary film, directed by me, and titled: Forget Winnetou! Going Beyond Native Stereotypes in Germany.  We are fully in post-production and editing is progressing well. As planned, we are on schedule for an early December 2017 general release but…

On Saturday, 30 September, we will shoot a special scene in which those interested can be a part. It will be a crowd scene of participants walking and interacting on location.


In this scene:

  1. We illustrate that indigenous and Native people here in Germany or that wherever they are in the world, they may not and do not have to fit European expectations or created stereotypes.
  2. We illustrate Natives and non-Natives can and do live and work together, and it does not need and should not be a situation of imbalance, of power and control, especially considering colonial history and the continuing practices of native mascots, misrepresentation, cultural appropriation and so forth.

Our small but dedicated team will be on location at 14:30 and we will begin as soon as those who signed-up have gathered. In order to participate, due to EU law, we will need you to sign a short waiver that you agree for your image to be used in our film. Each participant or family group will receive either a film postcard or sticker in appreciation for their participation, as long as supplies last.

30 September is supposed to be a sunny and mild afternoon, but please take note weather conditions may change. It is directly next to a lake, so dress appropriately. We are not responsible for child or animal care for this event, so please be aware of the surroundings.

Please use the contact form below to sign-up. We will add your email address to our list, and provide everyone with more information about location, and directions for the scene.

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The Challenges & Realities of Humboldt Forum in #Berlin #NoHumboldt21

Three years ago I wrote an article for Indian Country Today Media Network, which was titled “Naked Faux Savages and Neo-Racism in Berlin”, to which I posted a link here on my blog. A particular museum in Berlin has chosen to have a theater troupe perform a fake potlatch ceremony, in which naked performers sexualized their interpretation of such an indigenous gathering. The museum’s director Viola König continues to work for the Humboldt Forum project, and to me symbolizes all that is wrong with the project: the entire idea and still being built edifice to its colonial brutality hidden behind a “civilized” facade.

The challenge and reality is European museum directors, curators, supporters and others, including many of the European visitors have benefited from white privilege and supremacy for centuries, educated to believe this is civilized, conservative behavior to preserve what remains of certain cultures and peoples for posterity. This is the lie of the whole thing, and ignores the crimes against the survivors who have been petitioning and ignored though rightfully demanding their peoples objects be repatriated.

When anyone has been taught that culturally abuse, misinterpretation, misrepresentation and misattribution is normal, who have been taught to believe these things are civilized parts of their society, they keep perpetuating these crimes. Other challenges and realities is that there are persons who work for Humboldt forum and/or within the German (colonial) museum system who recognize and admit these are stolen items but who wish to keep their jobs.

On 15 October I will participate is a two-day event titled, “Prussian Colonial Heritage”, which discussions and challenges the continuing colonial practices and behaviors where Europeans justify and excuse the monumental crimes against other cultures, primarily those of people of color, and their refusal to return stolen objects, sacred items and even the remains of indigenous peoples and others. Protests against the project have continued before and since the foundation stone was laid in 2013, and the Humboldt Forum’s planned completion is 2019. Another protest is planned for 20 September, as members of various organizations such as Post-Kolonial Berlin, continue to work a forcible change in policy and protocols at HF and other museums.

From the 2014 article at ICTMN: “The Ethnological Museum continues to be the center of controversy regarding cultural insensitivity, misinformation and shock-value displays of indigenous items from around the world. One such was a display case of sacred Native items alongside a crushed Budweiser can and empty flask of whiskey, with a blurb stating that the biggest problem among Native Americans was alcoholism.

The museum’s director, Viola König, defended the sexualized performance and the museum’s collection. “Das Helmi were simply, playfully implementing all typical contemporary prejudices in a vivid, imaginative way to entertain,” she said. Regarding the controversial objects and displays in the museum, she said, “Organizers of the Humboldt Lab said, ‘Cultural appropriation is always a violent act, and direct or structural violence were likely used in acquiring many objects of our ethnological collections, but they still need to be shown.’”

Filming for #Winnetou-My Interview with Drew Hayden Taylor: Ojibwe Playwright, Author & Filmmaker’s Documentary

Ojibwe playwriter, author & filmmaker Drew Hayden Taylor is visiting Germany again, filming for his upcoming documentary on the continuing Winnetou phenomenon, stereotyping…and playing of “Native” by Germans and other Europeans. I was interviewed for a segment in the eventual production, on why I’m in Germany and also making a film, but mine is more on why it’s time to Forget Winnetou, due to the German societal issues of racism, neo-colonialism and stereotyping directly contributing to strife and intercultural turmoil. Afterwards, we walked to a local café and had casual conversation and coffee with the crew.

 

 

 

 

 

 

 

 

 


Drew’s bio: Taylor is a prolific author and playwright with over 27 published books and numerous writing awards to his credit. He was born and raised on the Curve Lake First Nation in Ontario Canada and still lives there. Learn more about his current trip here.

 

New Trailer for #Documentary “Forget Winnetou! Going Beyond Native Stereotypes in Germany” (2017)

The new trailer for “Forget Winnetou!” is here. Deutsch version here. This is the longer, explanatory trailer, but we will do a short teaser (50-59s), too. Thank you to all the participants and constructive feedback, and we look forward to sharing the finished documentary with everyone in December!

Intro: “What does a world look like that respects indigenous peoples, that’s working to end racism, colonialism and intersecting oppression on a global scale? A part of that is stopping stereotyping, and Native stereotypes are some of the most pervasive and recognized, but most don’t know their origins or the real harm they do.”

Coming December 2017, “Forget Winnetou! Going Beyond Native Stereotypes in Germany”. Directed & Produced by Red Haircrow, Associate Producer Timo Kiesel. Learn more at https://forgetwinnetou.com/ and http://forgetwinnetou.de/.

 Video Editing:
Red Haircrow

 Video Footage:
Red Haircrow
Timo Kiesel
Mark Williams
Viveka Frost

 Still Photographs:
Jen Osborne
Bernd Sauer-Diete
Viveka Frost
Red Haircrow
Timo Kiesel

 Main Participants:
Kendall Old Elk and family
Stefka Ammon
Johnny Clyde
Johnnie Jae

Music:
“Deep Haze” Kevin MacLeod (incompetech.com)-Licensed under Creative Commons: By Attribution 3.0 License
http://creativecommons.org/licenses/by/3.0/.

Flying With Red Haircrow Productions

 

Another Pop-Up Cinema in #Berlin, #Free Screening & Discussion of “Reel Injun” (2010) on 27 July

I’ll be speaking at the Pop-up Cinema screening of “Reel Injun” on 27 July, with Berlinale NATIVe in association with Humboldt Forum. The event takes place at MACHmit! Kinder Museum at Senefelder 5/6 in Prenzlauer Berg, 10437, Berlin. Please follow BerlinaleNAtive to learn of upcoming events, as several more are planned through the end of summer, with films from around the world.

Topic: “What kind of image do Native Americans have in Westerns, what do the cowboy-and-Indian myths mean for North America, and how did this genre shape the way cinema developed? In the German-speaking world, Karl May’s Wild West fantasies and Pierre Brice, the “French Winnetou”, still influence people’s notions and images of Native Americans in North America. In this second part of its programme, the Pop-Up Cinema invites you to watch two very different films, both of which question the familiar clichés of prairie romanticism.2
DANCE TO MISS CHIEF
D: Kent Monkman, 2010, 5 min, music video
REEL INJUN
D: Neil Diamond, Catherine Bainbridge, Jeremiah Hayes, Canada 2010, 88 min, English with German subtitles
ADMISSION
free
———
“Was ist das Bild der amerikanischen Ureinwohner in Westernfilmen, was bedeuten Cowboy- und Indianermythen für Amerika und wie hat all das die Entwicklung des Kinos beeinflusst? Karl Mays Wildwest-Wunschträume und der „französische Winnetou“ Pierre Brice prägen unsere Vorstellungen und Bilder von Native Americans in Nordamerika bis heute. Das Pop-up Cinema lädt in seinem zweiten Filmblock zu zwei sehr unterschiedlichen Filmen, die beide jedes bekannte Klischee von Prärieromantik hinterfragen.
DANCE TO MISS CHIEF
R: Kent Monkman, 2010, 5 Min, Musikvideo
REEL INJUN
R: Neil Diamond, Catherine Bainbridge, Jeremiah Hayes, Kanada 2010, 88 Min, Englisch mit deutschen Untertiteln
EINTRITT
frei