#FilmReview: “It Is in Us All” is set in #Ireland but is it #LGBT Representation or Not? Absolutely!

The description of “It is in Us All” was strange and puzzling to me: “a sexually charged boy”. Was the film pornographic in nature featuring an underaged male participant? I wasn’t intrigued by that but decided to watch in order to disprove or better understand why it was phrased in such a way, especially when […]

“Don’t Look Away – A New #PREY & #PREDATOR – An Educational #FilmReview

Don’t look away at any moment. Prey is a beautifully shot and realized film strategically different than its predecessors, arguably far outshining them in depth of story and character. Other reviews will take you through the cinematography, direction or dissection of fight scenes, symbolism and the new Predator appearance, and inevitably to Eurocentric based criticisms […]

#Interview on The Electric Sheep Film Show (#Podcast)

Shared from the Panel Borders website: “In this month’s Electric Sheep Film Show, Alex Fitch looks at films which reveal aspects of culture that are rarely discussed or wilfully ignored by society. Steven Eastwood discusses his documentary The Island which shows the end of life experience of four people in a hospice on the Island […]

Film Review: “In Football We Trust” (2015)- Samoans in the NFL

Originally posted on Red Haircrow Review:
(Photo from their Official site please follow the link to read more.) Country: USA | American Samoa Release Date: 23 January 2015 Filming Locations: Salt Lake City, Utah, USA, America Samoa Directors: Tony Vainuku, Erika Cohn Description: “In Football We Trust” captures a snapshot in time amid the rise…

Native Perspectives Film Review: “The Revenant” (2015)

revenant

THE REVENANT

Director: Alejandro González Iñárritu
Writers: Mark L. Smith (screenplay), Alejandro González Iñárritu (screenplay)
Stars: Leonardo DiCaprio, Tom Hardy, Domhnall Gleeson & Full Cast

 

Review:
With its honest portrayal of life spend in nature, the shifts between intense action and often tedious but necessary patient waiting and work, “The Revenant” was rumored to be an unforgettable film centered on Leonard DiCaprio’s performance and it delivered. “The Revenant” is directed by Mexico-born Alejandro González Iñárritu, an award-winning writer, director and producer born, an artist known for works highlighting the complexity of human motivations and needs. Self-described as music more often influencing for his work than other films, one easily discerned this in his latest offering for it was like watching a movie equivalent of a symphony: slow movements, a rising crescendo, and at last a finalé and resolution.

There have been survival dramas in the past, and the closest equivalent I can think of is “Jeremiah Johnson” (1972), whose titular character was played by Robert Redford. A similar theme of vengeance against those who wronged and murdered his adopted native family is central, as well as the poignant ending. DiCaprio’s character Hugh Glass was left to die after a bear attack, though mostly because his former comrades rationalize this eventuality is best to save themselves from threatening natives. Thomas Hardy’s character, John Fitzgerald, is most outspoken to abandon Glass along with a half native son, whose people and all natives John deeply hates. However, he volunteers to stay behind to witness Glass’ passing, but as soon as the others leave his rancor is made evident to both Glass and his son. Continue reading “Native Perspectives Film Review: “The Revenant” (2015)”