Don’t look away at any moment. Prey is a beautifully shot and realized film strategically different than its predecessors, arguably far outshining them in depth of story and character. Other reviews will take you through the cinematography, direction or dissection of fight scenes, symbolism and the new Predator appearance, and inevitably to Eurocentric based criticisms […]
Shared from the Panel Borders website: “In this month’s Electric Sheep Film Show, Alex Fitch looks at films which reveal aspects of culture that are rarely discussed or wilfully ignored by society. Steven Eastwood discusses his documentary The Island which shows the end of life experience of four people in a hospice on the Island […]
Originally posted on Red Haircrow Review:
(Photo from their Official site please follow the link to read more.) Country: USA | American Samoa Release Date: 23 January 2015 Filming Locations: Salt Lake City, Utah, USA, America Samoa Directors: Tony Vainuku, Erika Cohn Description: “In Football We Trust” captures a snapshot in time amid the rise…
Director: Alejandro González Iñárritu
Writers: Mark L. Smith (screenplay), Alejandro González Iñárritu (screenplay)
Stars: Leonardo DiCaprio, Tom Hardy, Domhnall Gleeson & Full Cast
With its honest portrayal of life spend in nature, the shifts between intense action and often tedious but necessary patient waiting and work, “The Revenant” was rumored to be an unforgettable film centered on Leonard DiCaprio’s performance and it delivered. “The Revenant” is directed by Mexico-born Alejandro González Iñárritu, an award-winning writer, director and producer born, an artist known for works highlighting the complexity of human motivations and needs. Self-described as music more often influencing for his work than other films, one easily discerned this in his latest offering for it was like watching a movie equivalent of a symphony: slow movements, a rising crescendo, and at last a finalé and resolution.
There have been survival dramas in the past, and the closest equivalent I can think of is “Jeremiah Johnson” (1972), whose titular character was played by Robert Redford. A similar theme of vengeance against those who wronged and murdered his adopted native family is central, as well as the poignant ending. DiCaprio’s character Hugh Glass was left to die after a bear attack, though mostly because his former comrades rationalize this eventuality is best to save themselves from threatening natives. Thomas Hardy’s character, John Fitzgerald, is most outspoken to abandon Glass along with a half native son, whose people and all natives John deeply hates. However, he volunteers to stay behind to witness Glass’ passing, but as soon as the others leave his rancor is made evident to both Glass and his son. Continue reading “Native Perspectives Film Review: “The Revenant” (2015)”
Director: Michael Bennett
At times a little disjointed, “Matariki” is the story of how lives can coincide just through one senseless act then overlap and metamorphosize into a new network of connections.
Everyone has their struggles, their strengths and weaknesses in this “slice of life” drama, and we see a common thread of wanting and needing love, of belonging, of being accepted for who and what they are. Sometimes it works out, at other times it doesn’t, but more often they just don’t really know what to do and things just happen. They keep trying, however.
Each of the actors believably portrayed their characters: a gay couple wanting to be accepted by their families, a young couple with a baby imminently due that neither wanted in the first place, a mentally challenged man whose dog is his greatest friend, and a couple of teenagers just wanting to get away from the rules and misunderstanding with their parents. The central focus is the act of violence that has left a Maori former sport star in serious condition. Never having felt accepted by his family, his Anglo wife remains at his bedside faced with a heartbreaking decision that she feels she should not make alone. Continue reading “Native Perspectives- #Film #Review: “Matariki” (2010)”