#Documentary #Film Premiere for “Forget #Winnetou!” on February 11th at Historic Delphi Theater!

 

Through hardship and a directing experience I eventually completed alone, on 11 February 2018 the documentary Forget Winnetou! Going Beyond Native Stereotypes in Germany makes its screen debut at the historic Delphi Theater in Berlin. Advanced tickets are now available through the Delphi’s website, and we would love to see you there! Deutsch version is below, and you can read more about film details at its IMDb page of Facebook event page.

PROGRAM

16:00-16:30 Welcome & short live performance
16:30-17:00 Introduction to panelists and a Q& A
17:00-17:30 A short Documentary
17:30-18:00 Pause with Music by Johnny Clyde, Photography by Viveka Frost
18:00-19:30 Feature documentary
19:30-20:00+ Meet the team & special visitor

 

“What does a world look like that respects indigenous peoples, that’s working to end racism and colonialism on a global scale?” A part of that is stopping stereotyping, and Native stereotypes are some of the most pervasive and recognized, but most don’t know their origins or the real harm they do.

“Winnetou”, the still popular American Indian character created by German author Karl May in the 19th century is a symbol of Native stereotypes, of lingering racism & colonialism: the self-bestowed privilege of taking and using whatever you want, even living peoples, for self-gratification. Intentional or not, these attitudes and behaviors continue the cycle of genocide, and can be harmful to everyone, no matter their ethnicity.

Most films on similar topics concentrate only on Native experiences in North America, but through discussions with Natives living in or having visited Germany, the correction of Eurocentricized history & insight on German society, we’ll present why these stereotypes and practices must end: in Germany and worldwide. While some may minimize the effect or harm of stereotypes, they are evidence of much deeper societal issues of injustice, inequality and inequity many countries now face.

Germany is a microcosm of struggles taking place across the world both against and for decolonization, for correcting white privilege and supremacy that’s divided and helped destroy our world. Stereotypes were created to keep themselves in power…and others under their control.

The documentary will utilize live-action scenes, interviews and animated sequences illustrating the theme, and provide an unforgettable, educational experience. Native speaking for themselves, representing themselves, and showing the world their variety, complexity and indomitable spirit.

Deutsch

“Wie könnte eine Welt aussehen, die indigene Völker respektiert, die daran arbeitet, Rassismus in einem globalen Rahmen zu ende? Es müsste damit beginnen, die stereotype Wahrnehmung indigener Völker zu beenden; diese ist weit verbreitet und anerkannt, wie kaum eine andere, aber die meisten Menschen kennen weder deren Ursprünge, noch den tatsächlichen Schaden, der durch sie angerichtet wird.”

Karl Mays beliebter Pseudo-Indianer hat die tatsächliche indigene Bevölkerung jahrzehntelang falsch dargestellt und damit einer weit verbreiteten Aneignung und Ausbeutung indigener Kulturen den Weg bereitet. Menschen indigener Herkunft sind willkommen, jedoch eigentlich nur, wenn sie die Klischees erfüllen.

Auch in Nordamerika sind sich viele Menschen indigener Herkunft nicht bewusst, dass die Stilisierung als Maskottchen in Deutschland lediglich die Kehrseite tiefgreifender Probleme ist, die sich als systematischer Rassismus, Polizeigewalt und Ungerechtigkeit gegenüber Minderheiten darstellen, selbst wenn indigene Bilder, Kulturen und sogar Knochen den Europäern als Genugtuung dienen.

Deutschland repräsentiert als Mikrokosmos all die Kämpfe die weltweit sowohl gegen die Dekolonisierung als auch zu ihren Gunsten stattfinden, zu Gunsten einer Abschaffung der Privilegien und der Vormachtstellung der Weißen, die unsere Welt in Lager gespalten und dabei geholfen hat, sie zu zerstören. Stereotype wurden erfunden um den Weißen die Erhalt ihrer Macht zu sichern….und andere unter Kontrolle zu halten.
Es befindet sich derzeit in der Postproduktion und wird Live-Action-Szenen, Interviews und Newsclips mit kurzen animierten Sequenzen kombinieren.

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“That’s a Wrap!” Photos from #Documentary Finale Scene Shoot in #Berlin, Sept 30th!

A sincere thank you to everyone who came out to participate and help with filming great scenes that will be included in upcoming documentary Forget Winnetou! Going Beyond Native Stereotypes and as production extras for the DVD! It was a beautiful and sunny afternoon in Germany beside the picturesque Tegelsee in Berlin. As I am almost exclusively “behind the camera”, it was nice to finally see myself in photos, which were taken by Viveka Frost and Haven Smith, who are part of our team.

Aug 24- Q&A for Pop-up Cinema Screening “Hunt for the Wilderpeople” at Bi’bek in #Berlin

 

Aug.24-I’ll be part of a Pop-Up Cinema #10 Q&A with audiences, along with Jason Ryle from imagineNATIVE Film + Media Arts Festival. Event in association with Berlinale NATIVe and Humboldt Forum. Free admission to see this terrific drama-comedy “Hunt for the Wilderpeople” directed by Taika Waititi.

Synopsis: “The rebellious Ricky is growing up without parents and the child welfare agency places him in a foster home in a remote part of New Zealand with the pragmatic Auntie Bella and her grumpy husband Hec. Ricky feels at home there for the first time ever – but then Auntie Bella dies and Ricky is supposed to go and live with a new foster family. Instead he flees into the bush and has an incredible adventure with Hec, closely pursued by a police manhunt.”

In the third part of its programme, the Pop-Up Cinema is screening the 2016 film Hunt for the Wilderpeople, an adventure comedy by Maori director Taika Waititi (whose other film credits include What We Do in the Shadows).

Hunt for the Wilderpeople
D: Taika Waititi
New Zealand 2016, 101 min
English with German subtitles
Free admission

Deutsch

“Der rebellische Ricky wächst ohne Eltern auf wird und vom Sozialamt im „neuseeländischen Nirgendwo“ bei der pragmatischen Auntie Bella und deren griesgrämigen Ehemann Hec untergebracht. Hier fühlt sich Ricky erstmals in seinem Leben wie zuhause, doch dann stirbt Auntie Bella und Ricky soll einer neuen Pflegefamilie zugewiesen werden. Er flieht in den Busch, und gemeinsam mit Hec erlebt er ein unfassbares Abenteuer, während die Polizei mit einem Großaufgebot nach ihnen sucht.”

Das Pop-Up Cinema von Humboldt Forum und Berlinale NATIVe zeigt in seinem dritten Block die neuseeländische Abenteuer-Filmkomödie Hunt for the Wilderpeople des maorischen Regisseurs Taika Waititi (u.a. 5 Zimmer Küche Sarg) aus dem Jahr 2016.

Hunt for the Wilderpeople
R: Taika Waititi
Neuseeland 2016, 101 Min
Englisch mit deutschen Untertiteln
Eintritt frei

New Trailer for #Documentary “Forget Winnetou! Going Beyond Native Stereotypes in Germany” (2017)

The new trailer for “Forget Winnetou!” is here. Deutsch version here. This is the longer, explanatory trailer, but we will do a short teaser (50-59s), too. Thank you to all the participants and constructive feedback, and we look forward to sharing the finished documentary with everyone in December!

Intro: “What does a world look like that respects indigenous peoples, that’s working to end racism, colonialism and intersecting oppression on a global scale? A part of that is stopping stereotyping, and Native stereotypes are some of the most pervasive and recognized, but most don’t know their origins or the real harm they do.”

Coming December 2017, “Forget Winnetou! Going Beyond Native Stereotypes in Germany”. Directed & Produced by Red Haircrow, Associate Producer Timo Kiesel. Learn more at https://forgetwinnetou.com/ and http://forgetwinnetou.de/.

 Video Editing:
Red Haircrow

 Video Footage:
Red Haircrow
Timo Kiesel
Mark Williams
Viveka Frost

 Still Photographs:
Jen Osborne
Bernd Sauer-Diete
Viveka Frost
Red Haircrow
Timo Kiesel

 Main Participants:
Kendall Old Elk and family
Stefka Ammon
Johnny Clyde
Johnnie Jae

Music:
“Deep Haze” Kevin MacLeod (incompetech.com)-Licensed under Creative Commons: By Attribution 3.0 License
http://creativecommons.org/licenses/by/3.0/.

Flying With Red Haircrow Productions

 

Another Pop-Up Cinema in #Berlin, #Free Screening & Discussion of “Reel Injun” (2010) on 27 July

I’ll be speaking at the Pop-up Cinema screening of “Reel Injun” on 27 July, with Berlinale NATIVe in association with Humboldt Forum. The event takes place at MACHmit! Kinder Museum at Senefelder 5/6 in Prenzlauer Berg, 10437, Berlin. Please follow BerlinaleNAtive to learn of upcoming events, as several more are planned through the end of summer, with films from around the world.

Topic: “What kind of image do Native Americans have in Westerns, what do the cowboy-and-Indian myths mean for North America, and how did this genre shape the way cinema developed? In the German-speaking world, Karl May’s Wild West fantasies and Pierre Brice, the “French Winnetou”, still influence people’s notions and images of Native Americans in North America. In this second part of its programme, the Pop-Up Cinema invites you to watch two very different films, both of which question the familiar clichés of prairie romanticism.2
DANCE TO MISS CHIEF
D: Kent Monkman, 2010, 5 min, music video
REEL INJUN
D: Neil Diamond, Catherine Bainbridge, Jeremiah Hayes, Canada 2010, 88 min, English with German subtitles
ADMISSION
free
———
“Was ist das Bild der amerikanischen Ureinwohner in Westernfilmen, was bedeuten Cowboy- und Indianermythen für Amerika und wie hat all das die Entwicklung des Kinos beeinflusst? Karl Mays Wildwest-Wunschträume und der „französische Winnetou“ Pierre Brice prägen unsere Vorstellungen und Bilder von Native Americans in Nordamerika bis heute. Das Pop-up Cinema lädt in seinem zweiten Filmblock zu zwei sehr unterschiedlichen Filmen, die beide jedes bekannte Klischee von Prärieromantik hinterfragen.
DANCE TO MISS CHIEF
R: Kent Monkman, 2010, 5 Min, Musikvideo
REEL INJUN
R: Neil Diamond, Catherine Bainbridge, Jeremiah Hayes, Kanada 2010, 88 Min, Englisch mit deutschen Untertiteln
EINTRITT
frei