Aug.24-I’ll be part of a Pop-Up Cinema #10 Q&A with audiences, along with Jason Ryle from imagineNATIVE Film + Media Arts Festival. Event in association with Berlinale NATIVe and Humboldt Forum. Free admission to see this terrific drama-comedy “Hunt for the Wilderpeople” directed by Taika Waititi.
Synopsis: “The rebellious Ricky is growing up without parents and the child welfare agency places him in a foster home in a remote part of New Zealand with the pragmatic Auntie Bella and her grumpy husband Hec. Ricky feels at home there for the first time ever – but then Auntie Bella dies and Ricky is supposed to go and live with a new foster family. Instead he flees into the bush and has an incredible adventure with Hec, closely pursued by a police manhunt.”
In the third part of its programme, the Pop-Up Cinema is screening the 2016 film Hunt for the Wilderpeople, an adventure comedy by Maori director Taika Waititi (whose other film credits include What We Do in the Shadows).
Hunt for the Wilderpeople
D: Taika Waititi
New Zealand 2016, 101 min
English with German subtitles
“Der rebellische Ricky wächst ohne Eltern auf wird und vom Sozialamt im „neuseeländischen Nirgendwo“ bei der pragmatischen Auntie Bella und deren griesgrämigen Ehemann Hec untergebracht. Hier fühlt sich Ricky erstmals in seinem Leben wie zuhause, doch dann stirbt Auntie Bella und Ricky soll einer neuen Pflegefamilie zugewiesen werden. Er flieht in den Busch, und gemeinsam mit Hec erlebt er ein unfassbares Abenteuer, während die Polizei mit einem Großaufgebot nach ihnen sucht.”
Das Pop-Up Cinema von Humboldt Forum und Berlinale NATIVe zeigt in seinem dritten Block die neuseeländische Abenteuer-Filmkomödie Hunt for the Wilderpeople des maorischen Regisseurs Taika Waititi (u.a. 5 Zimmer Küche Sarg) aus dem Jahr 2016.
Hunt for the Wilderpeople
R: Taika Waititi
Neuseeland 2016, 101 Min
Englisch mit deutschen Untertiteln
Ojibwe playwriter, author & filmmaker Drew Hayden Taylor is visiting Germany again, filming for his upcoming documentary on the continuing Winnetou phenomenon, stereotyping…and playing of “Native” by Germans and other Europeans. I was interviewed for a segment in the eventual production, on why I’m in Germany and also making a film, but mine is more on why it’s time to Forget Winnetou, due to the German societal issues of racism, neo-colonialism and stereotyping directly contributing to strife and intercultural turmoil. Afterwards, we walked to a local café and had casual conversation and coffee with the crew.
Drew’s bio: Taylor is a prolific author and playwright with over 27 published books and numerous writing awards to his credit. He was born and raised on the Curve Lake First Nation in Ontario Canada and still lives there. Learn more about his current trip here.
The new trailer for “Forget Winnetou!” is here. Deutsch version here. This is the longer, explanatory trailer, but we will do a short teaser (50-59s), too. Thank you to all the participants and constructive feedback, and we look forward to sharing the finished documentary with everyone in December!
Intro: “What does a world look like that respects indigenous peoples, that’s working to end racism, colonialism and intersecting oppression on a global scale? A part of that is stopping stereotyping, and Native stereotypes are some of the most pervasive and recognized, but most don’t know their origins or the real harm they do.”
Coming December 2017, “Forget Winnetou! Going Beyond Native Stereotypes in Germany”. Directed & Produced by Red Haircrow, Associate Producer Timo Kiesel. Learn more at https://forgetwinnetou.com/ and http://forgetwinnetou.de/.
Kendall Old Elk and family
“Deep Haze” Kevin MacLeod (incompetech.com)-Licensed under Creative Commons: By Attribution 3.0 License
Flying With Red Haircrow Productions
Pleased to announce our Forget Winnetou- A Documentary Film trailer has been selected for screening at Avanca Film Festival, 26-30 July 2017!
To view our first official trailer, you can do so here.
“What does a world that respects Indigenous peoples look like, that’s working towards ending racism, colonialism, and other intersecting oppression on a global scale?” -Andrea Marcos
Most films about Native Americans focus exclusively on Native experience in North America, however stereotypes of the original peoples of Turtle Island have spread around the world even as more Natives are living or working abroad. And Germany has one of the most notorious and beloved, sometimes fiercely defended symbol named “Winnetou”, a stereotypical American Indian created by German author Karl May in the late 19th century.
Decades later, despite its inherent racism and colonial nature, the heavily Eurocentrized fictional native and his pseudo Apache tribe are still recreated in films spreading misinformation to new generations, reinforcing white privileged and supremacist systems and attitudes. Although surely not the intention, it is still culturally abusive practice that deliberately ignore Natives and others who object, and minimizes and/or dismisses multiple research studies on the harm of such behaviors to everyone in society. This must end.
“Just because it’s fiction, doesn’t mean it’s harmless.”
“Reeducating the resistant.”
Recent promotional interviews: