Tremendous Event! 12-15 October: Reparation Days 2017 & #NativeAmerican Remains in German Museums

There are hundreds, and doubtless thousands of Native American sacred items, objects and human remains in Germany. Before and after, but especially during their colonial period (1871-start of WWI) graverobbing, looting and theft by German “scientists” took place around the world, including North America. This past week I participated in Reparation Days 2017, with final event the Conference: Prussian Colonial Heritage, and added their signature to a powerful resolution along with representatives from Japan, Australia, Tanzania, Namibia and others who had been robbed, and which Germany had repeatedly denied and/or minimized reparations for the genocide. Many just know the European Jewish Holocaust, but the 1st genocide took place in Africa, but it gets far less, if any, attention and it is not taught in German schools or any of their colonial crimes.

This is a huge, on-going issue as the Humboldt Forum is now being constructed. It is a multimillion dollar recreation of their emperor’s palace, which will house all of this loot taken, including the bodies of the dead. Finally, the peoples and communities most affected are being denied a voice and place in the decision-making process of recognition and repatriation.

The English version of the resolution and press release is below the German one, and you’ll see the list of speakers and representatives, that included myself and Wanbli Gleska Tohake, my mentor and sponsor in AIM Central Texas, who is Lakota from Rosebud Reservation. The decolonization struggle continues worldwide.

It begins: “We, the undersigned speakers, presenters and participants of the transnational conference “Prussian Colonial Heritage: Sacred Objects and Human Remains in Berlin Museums” on October 14/15, 2017 in the Centre Français de Berlin recognize that communities all over the world have lost a considerable part of their cultural heritage, including even “sensitive materials” – comprising “sacred objects” and “human remains” – by force and fraud in the wake of colonial conquests.”  Read the full resolution here at the Berlin Post-Kolonial website.

Other photos from the venue made by me.

 

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The Challenges & Realities of Humboldt Forum in #Berlin #NoHumboldt21

Three years ago I wrote an article for Indian Country Today Media Network, which was titled “Naked Faux Savages and Neo-Racism in Berlin”, to which I posted a link here on my blog. A particular museum in Berlin has chosen to have a theater troupe perform a fake potlatch ceremony, in which naked performers sexualized their interpretation of such an indigenous gathering. The museum’s director Viola König continues to work for the Humboldt Forum project, and to me symbolizes all that is wrong with the project: the entire idea and still being built edifice to its colonial brutality hidden behind a “civilized” facade.

The challenge and reality is European museum directors, curators, supporters and others, including many of the European visitors have benefited from white privilege and supremacy for centuries, educated to believe this is civilized, conservative behavior to preserve what remains of certain cultures and peoples for posterity. This is the lie of the whole thing, and ignores the crimes against the survivors who have been petitioning and ignored though rightfully demanding their peoples objects be repatriated.

When anyone has been taught that culturally abuse, misinterpretation, misrepresentation and misattribution is normal, who have been taught to believe these things are civilized parts of their society, they keep perpetuating these crimes. Other challenges and realities is that there are persons who work for Humboldt forum and/or within the German (colonial) museum system who recognize and admit these are stolen items but who wish to keep their jobs.

On 15 October I will participate is a two-day event titled, “Prussian Colonial Heritage”, which discussions and challenges the continuing colonial practices and behaviors where Europeans justify and excuse the monumental crimes against other cultures, primarily those of people of color, and their refusal to return stolen objects, sacred items and even the remains of indigenous peoples and others. Protests against the project have continued before and since the foundation stone was laid in 2013, and the Humboldt Forum’s planned completion is 2019. Another protest is planned for 20 September, as members of various organizations such as Post-Kolonial Berlin, continue to work a forcible change in policy and protocols at HF and other museums.

From the 2014 article at ICTMN: “The Ethnological Museum continues to be the center of controversy regarding cultural insensitivity, misinformation and shock-value displays of indigenous items from around the world. One such was a display case of sacred Native items alongside a crushed Budweiser can and empty flask of whiskey, with a blurb stating that the biggest problem among Native Americans was alcoholism.

The museum’s director, Viola König, defended the sexualized performance and the museum’s collection. “Das Helmi were simply, playfully implementing all typical contemporary prejudices in a vivid, imaginative way to entertain,” she said. Regarding the controversial objects and displays in the museum, she said, “Organizers of the Humboldt Lab said, ‘Cultural appropriation is always a violent act, and direct or structural violence were likely used in acquiring many objects of our ethnological collections, but they still need to be shown.’”

Aug 24- Q&A for Pop-up Cinema Screening “Hunt for the Wilderpeople” at Bi’bek in #Berlin

 

Aug.24-I’ll be part of a Pop-Up Cinema #10 Q&A with audiences, along with Jason Ryle from imagineNATIVE Film + Media Arts Festival. Event in association with Berlinale NATIVe and Humboldt Forum. Free admission to see this terrific drama-comedy “Hunt for the Wilderpeople” directed by Taika Waititi.

Synopsis: “The rebellious Ricky is growing up without parents and the child welfare agency places him in a foster home in a remote part of New Zealand with the pragmatic Auntie Bella and her grumpy husband Hec. Ricky feels at home there for the first time ever – but then Auntie Bella dies and Ricky is supposed to go and live with a new foster family. Instead he flees into the bush and has an incredible adventure with Hec, closely pursued by a police manhunt.”

In the third part of its programme, the Pop-Up Cinema is screening the 2016 film Hunt for the Wilderpeople, an adventure comedy by Maori director Taika Waititi (whose other film credits include What We Do in the Shadows).

Hunt for the Wilderpeople
D: Taika Waititi
New Zealand 2016, 101 min
English with German subtitles
Free admission

Deutsch

“Der rebellische Ricky wächst ohne Eltern auf wird und vom Sozialamt im „neuseeländischen Nirgendwo“ bei der pragmatischen Auntie Bella und deren griesgrämigen Ehemann Hec untergebracht. Hier fühlt sich Ricky erstmals in seinem Leben wie zuhause, doch dann stirbt Auntie Bella und Ricky soll einer neuen Pflegefamilie zugewiesen werden. Er flieht in den Busch, und gemeinsam mit Hec erlebt er ein unfassbares Abenteuer, während die Polizei mit einem Großaufgebot nach ihnen sucht.”

Das Pop-Up Cinema von Humboldt Forum und Berlinale NATIVe zeigt in seinem dritten Block die neuseeländische Abenteuer-Filmkomödie Hunt for the Wilderpeople des maorischen Regisseurs Taika Waititi (u.a. 5 Zimmer Küche Sarg) aus dem Jahr 2016.

Hunt for the Wilderpeople
R: Taika Waititi
Neuseeland 2016, 101 Min
Englisch mit deutschen Untertiteln
Eintritt frei

Film Review: “In Football We Trust” (2015)- Samoans in the NFL

Screening now at the Pacifica Film Festival and many others around the world, a documentary we reviewed last year that shares the stories of Pacific Islanders making their way into the NFL…and at what cost.

Red Haircrow Review

IFWTIndieLensBanner

(Photo from their Official site please follow the link to read more.)
Country: USA | American Samoa
Release Date: 23 January 2015
Filming Locations: Salt Lake City, Utah, USA, America Samoa

Directors: Tony Vainuku, Erika Cohn

Description: “In Football We Trust” captures a snapshot in time amid the rise of the Pacific Islander presence in the NFL. Presenting a new take on the American immigrant story, this feature length documentary transports viewers deep inside the tightly-knit Polynesian community in Salt Lake City, Utah. With unprecedented access and shot over a four-year time period, the film intimately portrays four young Polynesian men striving to overcome gang violence and near poverty through American football. Viewed as the “salvation” for their families, these young players reveal the culture clash they experience as they transform out of their adolescence and into the high stakes world of collegiate recruiting and rigors of societal…

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Tell A Yarn

K.I.N. Knowledge in Indigenous Networks

Yarn

Photo credit: Noritta Morseu-Diop

The word yarn or yarning has taken on a whole new meaning since returning from Australia this week.

I’ve spent the last few weeks surrounded by story-tellers telling a yarn. I’ve listened to men stand and speak in their native tongue of Te Reo Māori to address New Zealand Government. I’ve experienced extraordinary, strong and daring women stand-up and bear their souls to a room full of strangers through yarning. And travelled across the Tasman to Brisbane, Australia to be with First Nations elders, leaders and youth to share my yarn on “Building movements, not empires”.

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